I have been painting all my life. I am drawn to watercolour for its immediacy and clarity of colour. In recent years I feel I have been able to explore this more through the Experimental Drawing Workshops – Observation to Abstraction – given by Ella Clocksin and have exhibited twice with this group in Oxford (2011-Phoenix Picture House; 2012-Lady Margaret Hall). I also followed courses at Sunningwell School of Art for several years. I aim to capture and convey something of the energy in nature.
Since graduating from DeMontfort University in 2010 I have continued to study new techniques in texture, applying them to my eclectic body of work. These techniques include printing onto silk before painting over with oils, pastels and acrylics and also applying polymer resin as a glaze and binder for collage work. Much of my work is based on the subject of climate change, producing images that will engage the viewer and emphasize the possible outcomes of ignoring the problem.
I am not an practicing artist, although I did take “A” Level Art and History of Art more years ago than I care to remember I enjoy looking at art and visiting galleries, museums and exhibitions (particularly those in the Bartholomew Rooms and during Artweeks) and I would like to learn more, which is why I joined the Eynsham Arts Group.
I am a professional artist based in Eynsham, Oxfordshire and my work is collected both locally and internationally.
I look for the spirit of place within my work. This exploration starts with drawings and photographs. The resulting complex narrative is developed into a series of oil paintings. This collection is often exhibited in a installation giving a personal account of a particular place using both real and imagined stories. Since 2000 I have worked as a freelance artist, graphic designer and illustrator.
I took up sketching in the 1980s, on holiday. The results were of course varied, but one or two I liked, and all of them held my memory of that particular scene in quite a different way than a snapshot . I have collected some of the sketches in the 'sketchbook’ section of my website Moving to Brixton with a new job as a journalist on London Disability News, I thought I would join an art class. Again I found that ink was my best medium. Naturally I joined the art class and the Eynsham Arts Group when I moved to Eynsham. With the progression of my MS, my work - in acrylics and ink, has necessarily become more abstract, but no less enjoyable. Some people have even bought my paintings. A great compliment.
I am originally from Northumberland I moved to Oxfordshire in 1999. I trained as an Industrial Designer and began drawing and painting when the design industry became more computerised and I moved into Design and Project Management. I work in all the standard media, watercolour, acrylic and oils. I have exhibited in Oxford and was twice a prize winner at the Stockport Art Society in the 1990s. I have travelled extensively always taking sketching tools and watercolours, which, with photographs provide material for winter nights of painting. A keen gardener my allotment provides ingredients for my other hobby, cooking, and inspiration for some of my still life paintings.
After obtaining a degree in graphics in the early 70’s, focusing on illustration and print making, I worked as an archaeological illustrator for 24 years and later, a graphic designer for 5 years, for the MOD. I now have time to learn to paint for my own pleasure. I now spend time, mainly in Cyprus, looking at how man has created lines in the landscape – cutting tracks and roads, making terraces and walking paths. The challenge is one of understanding how to apply the paint to the canvas and to interpret the changes in the landscape.
I started painting a couple of years ago because my husband encouraged me and I had some spare time. My background is in printing so this is an interesting journey.
I have had a passion for painting since 2004 when I started attending classes and workshops around the Cotswolds and in London at The Pastel Society. My style has evolved having had much inspirational input and guidance from a number of well-established local artists.
Colour and texture are strong elements of what inspires me and I like the intensity of colour that is possible in working with acrylics or a combination of watercolour and soft pastels. More recently, I have been experimenting with mixed media techniques including collage, which increases the opportunity for interesting textural effects. My mosaic work also expresses my love of colour using a mixture of media including ceramic and glass tiles, crockery, china, beads and coloured glass. I create 2D and 3D pieces both for indoors and the garden.
I am a local artist specialising in landscape and plant studies, working in a variety of different media including oil, acrylic, ink and watercolour, with both brush and palette knife. I have a passion for colour, intensifying what I see to add vibrancy and atmosphere. Commissions taken.
I trained and worked as an actress and wrote about show business and the arts professionally while my children were young. I began to paint in 1988 while on a writing commission at Champneys in Hertfordshire. Subsequently I fitted in a term at Richmond College of Art, an oil painting course at West Dean College and another at Damiatte near Albi in France, while continuing to work as a writer and broadcaster. I have had several solo exhibitions, one was in aid of the Jacqueline de Pre Music Building, another was at the County Museum in Woodstock. I have exhibited during several Oxford Art Weeks.
I first produced a work of art at the age of five that was exhibited in my school. At senior school I achieved Grade 1 ‘O’ level art. Work, marriage and children took over until just five years’ ago I inherited some art materials and restarted my love of drawing. With patience and many hours’ practice, and primarily through the Arts Group, I have sold paintings and cards, amazed that other people like my work. I prefer watercolour for its complexity, often using ink, line and wash, which suits my love of buildings, especially now that I live in Oxfordshire and near the Cotswolds with its profusion of mellow butter-coloured stonework.
Book conservator, bookbinder, and some time printer. With a strong interest in the history of the book, I am drawn to the graphic arts. When time allows I enjoy lino-cuts and letterpress printing on my Adana. I have a small studio locally where I spend most of my time conserving rare books and manuscripts as well as teaching.